Rethinking the Tricolon Teaching, Research, Service: A Cluster of Essays

At the 2015 MLA convention in Vancouver, I had the pleasure of presiding at the session on our common academic mantra: Teaching, Research, Service: A Close Reading. Academics invoke this triad often, in annual activities reports, in tenure and promotion documents, in presentations to colleagues and administrators. We reproduce the discourse of three spheres on our curricula vitae. We struggle to reorganize the allotment of time dedicated to each one. The triad is our common measure, our common discourse, our common complaint.The terms in our mantra appear coequal, but we know only too well that each term carries different weight, holds different value, and applies differently to those in different faculty appointments. For the large percentage of faculty members off the tenure track, in contingent positions, with few or no benefits, and little chance for line conversion (i.e., adjuncts), the mantra is reduced to teaching only. For some non-tenure-track faculty members on renewable contracts and in a tiered system of differentiation, teaching and supervision, or service, are the applicable terms. For tenured and tenure-track faculty members, the key to advancement is research productivity and impact. For administrators, the service role has become highly professionalized. The distribution of expectations signified in the three terms constitutes social status, allocates prestige, and defines the everyday life of faculty members.We are in an expanding universe, an academic universe in which we are constantly expected to increase our knowledge, productivity, skill sets, and contributions to the collective enterprise. Service obligations balloon, especially for associate and full professors and increasingly for non-tenure-track faculty members. The preparation time for teaching is expanding as well, as we confront and adapt the new research on teaching and learning; new course formats, including online versions and flipped classrooms and participatory project-based curricula; and the new technologies available in classrooms. The expectations on the research side ratchet up, not least of all because we are entering a posttraditional publishing system that requires of us knowledge of and facility with new platforms and modes of scholarly communication, more collaborative orientations to scholarly inquiry in the humanities, and greater impetus to use a range of social media platforms to find broader audiences for our work.In the essays that follow, Vanessa L. Ryan, David R. Shumway, and Leonard Cassuto ponder this triad: Ryan riffs on teaching, Shumway on research, and Cassuto on service. They confront the mantra by historicizing each term, and they suggest how we might negotiate demands across the three domains.

Ryan questions the commonplace notion that teaching and research are entangled and synergistic activities in the academy. For Ryan, assuming that teaching and research are self-reinforcing is a sleight of hand that obscures the reality that “our universities are built not on a single foundation but on distinct philosophies of education that stand in uneasy relation to one another.” She historicizes these distinct foundations to better understand the friction between competing ideologies of higher education and then identifies three tensions that create friction at this moment: the discourse questioning the use-value of a liberal arts education in a time of high tuition costs and high student debt; the increasing stratification and separation of activities and their identification with particular sets of people (researchers, teachers, administrators); and the deepening differentiation of the skills needed to be a researcher and to be a teacher that results from the current emphasis on teaching outcomes (“assessment”) and the professionalization of teaching. Ryan calls for a redefinition of teaching as student-centered, inquiry-based, and problem-oriented, and she opines that asking faculty members to pay attention to how research on student learning affects student learning may push us toward a redefinition of research itself.

Shumway puts a different kind of pressure on the meaning and value of research in the humanities. He exposes the conundrum that the work of scholars in the academic humanities now has trouble finding readership and visibility inside and outside the academy, and yet research productivity has become increasingly important to an academic humanist’s portfolio. By historicizing the distinction between research as process and research as product, Shumway illuminates how from the mid–nineteenth century to the mid–twentieth century, “professors were assumed to be engaged in the process of research even if they were not publishing”―indeed, that was their expertise and their identity―and how since the 1970s the value of research has been attached to the commodification of its products. In his application of Laurence R. Veysey’s triadic reading of competing models based on “utility, research and liberal culture” in the history of higher education in the United States, Shumway observes that the three models loosely correspond to the prevailing service, research, and teaching missions of higher education. The effect of this alignment is the undervaluation of interpretive and critical research in the liberal arts—as opposed to the professional fields, where research can be seen to meet utilitarian needs, and to the basic sciences, where research can be seen as “pure” knowledge production.

Given the growth in the number of articles and books published in the humanities and the corresponding decrease in readership, Shumway asks us to reconsider the research mission of higher education and its reification of the research product. On the one hand, he enjoins faculty to become better advocates for the value of research in the humanities; on the other, he calls for more direct ties between undergraduate teaching and research and less focus on quantified productivity. “[P]erhaps,” he concludes, “it is time to question the significance of publication statistics. Maybe we should be encouraging faculty members to write less, but more consequentially.”

Cassuto directs us backward, historicizing the tricolon phrase to parse the term service and the current status of the work to which it refers. He reminds us that in the early and mid–nineteenth century the essential activity of the academy was service to students through teaching and mentoring. The professionalization of college faculty members began in the decades before the Civil War, when professors in the United States sought “disciplinary training” and credentials in Europe. It intensified when the institutionalization of the German model of the research university and the founding of professional organizations such as the MLA remade higher education into a prestige economy. As specialized academic departments were formed in the early decades of the twentieth century, they needed the administrative services provided by faculty members; as a result, the concept of service emerged as distinct and focused on the practical. During the decades of the Cold War, the infusion of government money into research universities upped the expectations of scholarly productivity across all departments, further skewing the differential value accorded teaching, research, and service in personnel evaluations. Cassuto’s deep historical reading concludes with a call for greater directness in naming service for what it is―the least valued of the three domains of faculty obligations―and for greater transparency in valuing all the labor that goes into institutional life.

Ryan, Shumway, and Cassuto bring important insights to the components of our collective mantra, recognizing the complexities of category confusion in everyday academic practice and in the attempt to historicize the categories. Let me add further comments on the frustrations of distinguishing categories from one another.

In the humanities, we have a model of graduate training that becomes troubling for those who advise large numbers of students in any one year or over a succession of years. Unlike in the STEM fields, the work of graduate students does not directly advance a faculty adviser’s research agenda. Although professors in the humanities learn much in the process of advising students, they rarely if ever share bylines and authorship with their graduate students. In fact, they often work with students whose fields or subfields are different, even far afield from their own. And yet, at most institutions this work with graduate students does not count in the teaching obligation. It is indeed teaching, but it is often counted as service instead.

There is another kind of category confusion emergent in these times. I think of certain activities in what is called the digital humanities: designing new platforms; creating interactive online knowledge communities; organizing crowdsourcing; building online archives and sites; assembling, marking up, and curating data, big and small; composing new multimedia modes of scholarly communication. All these activities (and many others sustaining born-digital and digitally environed inquiry, argument, visualization, computation, display, and communication) constitute scholarship. They entail setting new questions, pursuing altered lines of inquiry, shifting methodologies and theoretical frameworks, and assembling a research team. This work is also research-based and participatory teaching, often involving undergraduate and graduate students and others in humanities collaborations; it is also service to the field, and to the academy. This work is online, in repositories, for other scholars, seasoned and emergent, to draw on in their own research and teaching. It is there for students to access and incorporate in their projects. It is there for the broader public. Such category confusion taxes systems of evaluation. (And this is where the MLA’s 2012 “Guidelines for Evaluating Work in Digital Humanities and Digital Media” and 2013 “Guidelines for Authors of Digital Resources” become increasingly important in personnel processes.)

Since Ryan, Shumway, and Cassuto call on us to rethink the tripartite structure of faculty work and identity, let me add another call, apropos of the domain of service. In this instance, I want to confuse categories rather than resolve confusions.

Administrators of all kinds turn out page after page of written material in the course of their service. This corpus of work is commonly understood to be bureaucratic writing. But what if we understood this corpus differently, as part of the scholarly and intellectual achievement of the person in the position? Much of it may be read and even appreciated as short-form essays—proposals written to launch new programs, curricular- or research-oriented; documents produced for program review; documents written in personnel cases. These kinds of documents are often collaboratively produced, but collaborative inquiry and analysis is increasingly important in the academic humanities, and our evaluation guidelines and procedures are evolving to account for this mode of communicating knowledge.

Which leads me to a final comment on the MLA session that led to the essays before you. A robust discussion followed these presentations, and the passion of the large number of people who attended the session suggests the importance of engaging this commonplace teaching-research-service mantra directly and often. The dominant concerns in these exchanges focused on the expansion of administrative roles, the call after call to do more service with fewer and fewer resources―human and budgetary. People spoke to the requests to serve on or chair committees, task forces, and targeted initiatives; to administer programs; to serve in leadership positions in professional organizations. Equally important, the discussion focused on the increasing pressures on non-tenure-track faculty members to take up more and more service obligations, as well as the way that service obligations in the humanities are often a gendered affair.

On this latter point, I have observed over the last fifteen years that the position of the chair or program director has trended female in the humanities. That is not necessarily a negative thing. Not long ago, say in the 1980s, feminist academics and others pushed to break down the barriers to white women and women and men of color advancing in leadership positions. But now women, white and of color, are being tapped for leadership positions within and outside their departments and programs with ever-increasing frequency. Further, since the majority of faculty members in contingent and non-tenure-track positions are women, and since they, too, are being asked to do service to their units and they are in vulnerable positions from which to challenge service assignments, the gendered politics of allocating service across the faculty can no longer be a subject about which we do not speak.

Works Cited

“Guidelines for Authors of Digital Resources.” Modern Language Association, 2013, www.mla.org/About-Us/Governance/Committees/Committee-Listings/Professional-Issues/Committee-on-Information-Technology/Guidelines-for-Authors-of-Digital-Resources.

“Guidelines for Evaluating Work in Digital Humanities and Digital Media.” Modern Language Association, 2012, www.mla.org/About-Us/Governance/Committees/Committee-Listings/Professional-Issues/Committee-on-Information-Technology/Guidelines-for-Evaluating-Work-in-Digital-Humanities-and-Digital-Media.

Veysey, Laurence R. The Emergence of the American University. U of Chicago P, 1965.

Sidonie Smith is Mary Fair Croushore Professor of the Humanities, professor of English and women’s studies, and director of the Institute for the Humanities at the University of Michigan, Ann Arbor. She was president of the MLA in 2010. A version of this essay was presented at the 2015 MLA convention in Vancouver.

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95 Theses

Introduction

“95 Theses” commemorates both “Frame Lock,” a talk I presented at the 1992 MLA Annual Convention and which was collected in My Way: Speeches and Poems (U of Chicago P, 1999), and “The Practice of Poetics,” written a decade ago for Introduction to Scholarship in Modern Languages and Literature (David Nicholls, editor; MLA, 2007).

In “Frame Lock,” using terms adapted from Erving Goffman’s Frame Analysis, I made the case for shifts in mood and style in scholarly writing; not only made the case, I performed it. Contrary to what some members feel, I have always found the MLA convention, with its knowledgeable and often enthusiastic listeners, an ideal place to present my work. In 1990 I got my first full-time academic job, at SUNY Buffalo. It was astounding to start at Buffalo having had virtually no prior academic affiliation since I had graduated college two decades earlier. I am sure that unusual experience gives me an odd perspective. In 1992 I had just cofounded the Poetics Program at Buffalo with Susan Howe, Raymond Federman, Robert Creeley, and Dennis Tedlock (who died this past June). The program was a model for literary artists teaching in PhD programs—not creative writing but literary history and poetics. Over the years, my briefs for the essay as art have shifted to keep up with the changing environment and also because I don’t like to repeat myself, even though I am sure I do.

I am retiring in 2019, so take this as something of a swan song, or, anyway, duck soup. I leave the remainder of the theses to be filled in by you.

  1. Professionalism is a means not an end. Less is more. Professors are better off when they professionalize less and risk extinction when professionalization is primary.
  2. Professionalized scholarly writing often seems to play off a list of master-theorists who must be cited, even if the subject is overcoming mastery. A modest proposal: In your next essays and books don’t make any reference to the ten most cited authors in your field. Apply the death of the author to the ones that authorize that idea.
  3. Don’t cite authors, become an author. Then undo your own authority.
  4. If you write you are a writer. It is as simple as that and no amount of research, findings, conclusions, proposals, projects, and laboratories will change it a whit.
  5. Writing is a laboratory for the mind, its experiments are in syntax as much as analysis, arrangement as much as argument.
  6. Frame Lock was not built in a day.
    Tone jam is not a marmalade.
  7. Contradiction is closer to truth than consistency so don’t consistently emphasize contradiction.
  8. The truth is not the end of the essay but its point of departure.
  9. The fragment is more important for criticism today than for poetry.
  10. Not fragments: constellations.
  11. Positivism is as rhetorical as negativism.
  12. Reason abhors a rationalist.
  13. Which does not mean anything goes: anything is possible but only a very few things get through that eye of a needle that separates charm from harm. And often what appears as harm has got the charm.
  14. We’re better with alternatives to STEM
    Than when we go on imitating them.
  15. A recent Digital Humanities lecture presented both a fount and a font of information about a poem’s unusual digital typeface but not a word about the font’s meaning or ideology or how the visual display affected the interpretation of the poem. This was New Criticism with close reading not of the words of a text but the technology for generating its letters.
  16. Distant reading without reading is not reading. Close reading without toggling frames is myopia.
  17. Information everywhere but not a drop to drink.
  18. The question for macro and distant sociological approaches in the humanities, digital or otherwise, is not just what happens but also so what? and what for?
  19. “The fact you tell is of no value, but only the impression.” —Emerson on Thoreau (1862)
  20. Criticism, scholarship, and poetry are all fonts of rhetoric. The aversion of rhetoric is an unkind kind of rhetoric.
  21. There is no formula for avoiding formulas.
  22. Sometimes what appears as unformulated is just new jeans with fashionable rips.
  23. Not that there is anything wrong with that.
  24. One size doesn’t fit all. (Each to his own goo, be true.)
  25. Not interdisciplinarity: non-disciplinarity. (Call it pragmatism.)
  26. If we want to emulate the natural sciences let us do by stressing speculation and collaboration (through multiple author essays).
  27. Expository writing needs to be balanced by non-expository writing.
  28. I don’t want trans-national studies I want non-national studies. Non-national studies would look at language-speaking groups and conversations among languages and across languages not based only on nation states but affinities, immigration, refugees, the displaced and diasporic, the nomadic, the national-non-conforming. Examples would be born-digital arts, poets writing in English irrespective of their national or first language, Yiddish, or to give a more historical example, the Medieval and European cultures approach of David Wallace here at Penn that looks not at discrete national literatures but rather “sequences of interconnected places.”
  29. Nothing suits us like our union suits, as the old ILGWU (International Ladies Garment Workers Union) ad put it.
  30. Don’t mourn: unionize.
  31. There are no themes, histories, ideologies, ideas, terms, or categories uninflected (uninfected) by the often fractal, fractured, and fraught signifying practices that make them so. Ideas bleed re(a)d blood; the imaginary weeps wet tears. The real is no less so minding the body than embodying mind.
  32. Language is never more than an extension of reality.
  33. Form and style are not ornamental to meaning.
  34. No flapjacks without eggs.
  35. Impersonality is the hobgoblin of frightened prose.
  36. Autobiography and personal narrative is not a prophylactic against formulaic expression of received ideas.
  37. Contentious rhetoric opens dialog more than professionalized prose. But contentiousness as a mode of dominance is tyranny. Denunciation and defamation, even in the name of a good cause, destroys dialog.
  38. All professional rhetoric is pre-professional.
  39. The real cannot disappear. Even the appearance of disappearance is real.
  40. The absence of expressed identity is a form of identity.
  41. The expression of identity is, also, a mask.
  42. The poetry and poetics I read and write are not a product of the world financial system but of the world semantic system.
  43. Whenever you walk on a new road, you can be sure no one has spoilt it yet. —Menachim Mendel (Kotsker Rebbe)
  44. Whenever you think you have walked down a new road, you can be sure others have been there first. Try to find and acknowledge them.
  45. Feeling superior to the self-righteous makes you that.
  46. Taking pleasure in piety is piteous.
  47. The good longs for us but we are unworthy.
  48. Recently, a dean at my college declined to allow a class for a “diversity” requirement even though the syllabus included poetry in a dozen languages from the Americas, Asia, Europe, Africa. The dean said diversity needed to focus on only one group, one language. Diversity without uniformity is poetry and don’t count.
  49. For the colonial mind, decolonization is a new frontier to settle.
  50. It never hurts to add a joke.
  51. You know the one: three Jews four opinions? What you don’t hear is that two of them, the schmucks, have the same opinion, while the third …
  52. To write prose after Auschwitz is barbaric.
  53. “Away then with all those prophets who say to the community of Christ, ‘Peace, peace,’ and there is no peace.”
  54. My concern is more What is false? than What is truth?
  55. “This is our task: to imagine no whole from all that has been smashed.”
  56. A bird at heel is better than a heel with a bird.
  57. Redefine English in “English department” as the host language not the disciplinary boundary, where English is understood neither as origin nor destination.
  58. The aversion of disciplinarity requires discipline.
  59. The arts, including the literary arts, are as foundational for literary studies as criticism. Literary studies without aesthetics is like science without nature.
  60. There are nowadays many professors of culture but few originators, since origination has been mostly assigned to the realm of fantasy, of unicorns and fairies. “The success of great scholars and thinkers is commonly a courtier-like success,” Thoreau writes in Walden. “They make shift to live merely by conformity, practically as their fathers did, and are in no sense the progenitors of a noble race of men.” Nor is Thoreau ironic when he insists, “Yet it is admirable to profess because it was once admirable to live.”
  61. Lyric Theory: The spouting of a whale is freer than the lyric of most poets.
  62. Coming before any public in this month requires a loud denunciation of Donald Trump, who poses a grave danger to this republic, a requirement made all the more urgent when so many young people, perhaps even some here at the University of Pennsylvania, seem reluctant to support Hillary Clinton. I’m with her.
  63. Pataquerics cannot be schooled. It cannot be, which is to say rest as, itself. Pataquerics questions its own questioning.
  64. Telling truth is a kind of lying since
    Every truth conceals both other truths and
    Plenty of falsehoods. But lying is as
    Far from truth as the dead from the living.
    It was never my intention to do
    Either––Just to keep bailing this open
    Boat drifting out toward an infinite sea.
  65. The rest of these 95 theses intentionally left blank.

Note

I presented this work on the panel Aversive Prose, convened by Eric Keenaghan and Josephine Park at Kelly Writers House, University of Pennsylvania, 16 September 2016. The panel title comes from a graduate seminar I led in 2015, which presented an abbreviated history of exceptional and aversive approaches to essays and discursive prose (upper-limit poetry / lower-limit manifestos).

Charles Bernstein is the Donald T. Regan Professor of English and Comparative Literature at the University of Pennsylvania.